I was born and raised in Verona (Italy), where I studied dance in a small school directed by my mum. After graduating from high school, I received my professional training in contemporary dance in the capital, Rome.

In 2016, I created a young dance company named DDC, which I independently ran and for which I created two choreographic works: *Lost Innocence* and *VOX CLAMANTIS IN DESERTO*. With *Lost Innocence*, I received the Best Choreographic Award at Incontri Coreografici (Rome), and *VOX CLAMANTIS IN DESERTO* toured around Italy in 2017, receiving support for R&D from VivoBallet in collaboration with Teatro Greco (Rome), OPIFICIO in movimento (Rome), and Ballet-Ex Company (Rome). This piece was presented around Milan, Verona, Rieti and Rome.

In 2017, I received the Best Solo Choreography Prize at Sala Assoli Theatre in Naples.

That year, I worked as a dancer for VivoBallet – Enzo Celli and Muzo Dance Theatre Company as well as working as assistant choreographer for Fabio Crestale (Opéra de Paris / I Funamboli) between Paris, Berlin, and Italy.

In 2018, I was selected as one of six choreographers for BreakingArt, a creative collaboration between choreographers and sound artists aiming to present original pieces at Megaron Underground – The Athens Concert Hall. During the residency, I created The Lost Art of Being, which premiered in Athens in March 2018. After Greece, the piece was performed at CorpoMobile Festival (Rome) and Resolution Festival ‘19 at The Place.

That same year, I began studying for an MFA in Choreography at Roehampton University, and I graduated two years later.

In 2019, I was one of four selected choreographers for *EMPOWERIV*, a youth-led, Arts Council England-supported initiative, through which I had the chance to deliver a masterclass to RDC Youth (Birmingham).

With the support of Roehampton University and The Place (through space-in-kind), I developed a new duet named Attachment Non-Attachment, which was showcased at HangartFest (Pesaro, Italy), Corinaldo in Danza (Corinaldo), and Resolution Festival ‘20 (London).

Since 2021, I have been working in the commercial dance scene for a variety of choreographers such as Holly Blakey, Benoit Swan Pouffer, Charlotte Edmonds, Harry Price, Alexandra Greenwell, Emma Farnell-Watson, Blackhaine, Imogen Knight, and Franka Marlena. I have taken part as a dancer in two BBC drama series, several commercial works, and I have danced in music videos for Harry Styles, Yves Tumor, MØ, Griff, and Bat For Lashes and others.

I also collaborated with Every Island Collective on their installation work WELCOME: (a) ceremony, by creating two durational live performance open to the public.

During that time, I began working at the crossroad between choreography and film and developed my first screen dance work called AMAMI, in collaboration with textile designer Rosie Broadhead and filmmaker Alice Underwood. For the development of the piece I received studio in kind support by Studio Wayne McGregor through the FreeSpace Artists Programme.

In 2023, I wrote a second film named HUNTED, which received support by SET (woolwich) for its creation and shooting. Hunted is currently in post-production phase.

In 2024, I was commissioned to create a new piece by Peripheica Festival (Turin, Italy), and I developed a 30-minute piece called La Coscienza di Afrodite, which premiered in May during the festival.

That same year, I worked as choreographer for Knives and Forks by Danielle James and directed by Hannah Calascione, a dance theatre piece combining choreography and text-based drama. The piece premiered at Riverside Studios, and I received the ‘Best Director’ prize at Bitesize Festival for Movement Direction and Choreography.

In February 2025, as part of the Anticipation Exhibition at SET (Ealing), I performed HEARTBEAT, a 30-minute improvised solo piece.